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Archive for February, 2011

5 Tips for Taking Photos of Kiteboarding

Thursday, February 17th, 2011

I recently bought myself a new toy – a Canon 60D – which has become my comfort blanket on this trip to South Africa, as being injured I have spent more time on the beach watching people kitesurf than actually doing it myself.  Its also the perfect complement to Rob’s filming – giving us more immediate ‘footage’ to share as news for our community and also coverage for those going out of their way to ride for us.

So I find myself learning very fast how to take great action shots. But its not easy and I have had my photos shot down regularly for not being up to scratch when I thought they were on the money!

Jim Gaunt – editor at Kiteworld Magazine & presenter of The Kite Show and a good friend of mine – has given me some brilliant tips.  From all the years he has spent reviewing shots and increasingly taking them himself, he knows what makes a great photo that readers of KW will appreciate.

I thought I would share these top tips and some of photos I have taken as a result:

1. Selective Focus

Such a simple tip but I struggled with this when I first tried shooting action on a brand new camera. I initially used standard autofocus but as the subject keeps moving it couldn’t keep up and all of my shots came out blurred.  Jim advised me to use the selective focus function on my SLR and move one of the 9 focus spots to the part of the frame I wanted to capture the rider in (think composition before setting up the shot) and then follow them on that spot, continually focusing (holding button half down) until your ready to shoot.

From This:

To This:

2. A Face View

This is great to give more personal connection but those shots looking directly into camera work better for the product shots and brand catalogues.

Ultimately this depends on what you are shooting pictures for – thinking about how you might use the photos and who they might appeal to can help direct the kind of shot you go for.

3. Find the Story.

Sometimes a close up shot of a rider may make an incredible impact, and as photographers we are often told to ‘fill the frame’.

However it doesn’t leave many other clues as to the context of the situation.  It makes it about the trick and only the trick which is maybe not what a magazine reader is after.  Maybe something more like this tells a better story:

4. Get the take off

Directly related to point 3, including the take off shows a part of the story you are trying to tell.  It shows momentum when you are trying to capture movement and action too.

5. Get the point of power

This is probably the tip most relevant to me as a member of the Progression team but also the one I have found the hardest to put into place. It has forced me to spend more time understanding the trick and every element that it is composed of to really know at what point is the most powerful.

Ensuring you get the grab is the most basic interpretation of this tip:

…and for wave riding this would be the hitting the lip or carving a hard bottom turn:

…but the speed at which most wake style tricks are done makes this hard to do and a subtle difference to perceive. (number 2 is probably the best shot here?)

Even with a great camera like the 60D, you need a faster shooting speed (like the 7D, 5D or for those with lots of cash the 1D!) has to capture that right moment. It is easy to take the lazy route to getting the ‘point of power’ money shot – by just holding down the button on a multiple shot setting but this is not great practice. Extrme sports photography master Craig Kolesky despairs of this kind of approach too, his words of wisdom to me on the beach in Cape Town were ‘you should aim for one great shot, don’t take hundreds and hope for the best, you’ll be grateful when you come to sit down and edit them all!

Of course you are not always trying to shoot for a magazine and the core elements of photography like composition, lighting and most importantly, personal creativity, should also inform what kind of shots you take.

Here is one shot from my South African trip that says as much about kiting or beach life as the classic trick / pro rider shot:

I’ll keep you updated on my photo ‘progression’ and I would love to know what you think of my shots.

You can check out lots of our photos from this kite trip to Cape Town on the Progression Facebook fan page.

How to Waterstart on a Strapless Surfboard

Wednesday, February 9th, 2011

I have been injured for quite a few months now with a troublesome ankle tendon.  This kind of injury is rarely from a big impact, more from overuse which also means that it takes longer to repair and only flairs up when you use it in the same way which brought it on in the first place.

So riding in foot straps has been near on impossible as it requires me to flex those aggravated tendons. To stop me going completely insane watching all my mates on the water, I thought I would try out a different kind of board – a strapless wave board/surf board.

It took only a few goes to actually nail a waterstart and get going, we got a small clip of me riding along in Langebaan (South Africa) yesterday as you can see.

From my experience yesterday and reading around a few other places online, in particular iksurf technique article from Christian and Karine, I have put a few top tips for anyone else trying this out:

1. Try it first in flat water until you get used to riding both a wave board and/or strapless.  You may look strange heading out into flat water with a wave board under your arm but you’ll certainly look better when you eventually head out to the waves and don’t get pounded!

2. Get a board with grip pads on like I had – or use lots of wax.  You do tend to stand up more as oppose to edgeing against the board, without straps its hard to keep your feet ‘stuck’ to the board.

3. Hold onto the board with one hand (your back hand) whilst you position it in front of you and get your first foot (front foot) on. These boards are much more buoyant than a twin tip and have the tendency to bob along, drifting away from you!

4. Try and keep a little power whilst you position your feet on the board – if its not windy enough then move your kite a little back and forth to help as these guys in Kiteboarder suggest.  The iksurf article also suggests a ‘soft’ waterstart where you navigate the kite backwards first to give you a bit of pull up before diving it. This is for the same reason I imagine – to help get your body & feet positioned a bit more above the board before waterstarting.

5. Keep a fairly wide stance as this will help with balance. If your board is one designed for kitesurfing then the pads will give you a clue of where to put your feet. For me (5 foot 9) this was about two foot apart, ensuring my front foot was a lot further forward than I originally thought.

6. Stand up straight. You need a lot more front foot pressure that you would on a twin tip, with the aim to flatten out the board.  When I first tried I was digging in the tail and the nose was too high to plane.  If you think about standing up a little straighter, maybe in the stance you would use for light wind riding, this will help a lot to get up and going.

Everything else is the same for any waterstart – dive the kite, point the board downwind to get up the speed and then lean back gently (not as hard as you would with straps) as you drive the board more upwind.

As you can see on my video I didn’t quite know what to do when I wanted to turn around so I will try out a carve or gybe next time I go out!

I found it a completly different feeling riding this way.  It definitely felt more ‘free’, more cruisey and more fluid. It was also nice to go and learn something completely new without feeling like i needed to put my body through hell to do it!

I am keen to follow this up but as Progression have yet to cover off this style of kitesurfing i’ll need to source my instruction from elsewhere!  Any good tips, links or articles please send my way :-)

Learning about trick progression

Saturday, February 5th, 2011

Being in Cape Town during its windy season has afforded me not only refuge from the long winter back at home in the UK but also some of the best riding I have seen in a long time.

As everyone knows, Cape Town is where many of the pros come during winter.  Its consistent, varied and sometimes challenging conditions make for a perfect training ground and no better place for Progression to capture some of these tricks, trials and tribulations for our usual eye of analysis.

My job the last few days has been to log all of the footage we are shooting – 400 clips one day, 300 clips the next.  I am seeing back mobes in my sleep now! What this task has provided me with though is the concept and construct of trick progression – the foundation and obsession of the Progression brand itself!

Rob laughed at me (as I am sure most would) as I diagnosed ‘advanced’ tricks through my ‘intermediate’ eyes but I found it personally useful so that’s why I am sharing. Breaking down a trick with a random name means you actually understand what it is as well as giving you easy steps to learn the trick components separately first before putting them all together.  For example:

Back Mobe – Layman’s description:

A Back Mobe is an unhooked backroll, into another the same way whilst passing the bar in the air.

Back Mobe – Official Description:

A Back Mobe is a powered unhooked backroll with a frontside 360 with an airpass.

From this description we can work out the progressions up to this trick:

  • Powered Unhooked Back Roll
  • Powered Unhooked back Roll with ‘frontside 180’ (which is effectively just landing toeside)
  • Powered unhooked backroll with a ‘frontside 360’ landing wrapped (without passing the bar) which is also called a ‘Back to Wrapped’
  • Then you can make the final step by passing the bar – and voila, you have nailed a Back Mobe.

Check out this ‘Trick Progression’ video for the Back Mobe that we filmed  at the awesome spot brandvlei

As I said, essentially this is ‘Progression’ in a nutshell.  Breaking down the tricks into smaller elements so you can learn it easily, methodically and safely.

In addition to our core trick coverage on the DVDs we are slowly building a huge online library of every trick (its at about 500 now!) that can help you understand the composition and relationship of any trick you can possibly want to learn.

So there really is no excuse to be doing those same tricks session after session any more!  Get the most out of your session and learn more with Progression.